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Ableton Live features are what weve come to expect from the application. Its a music making environment that supports your creative needs. Its programmer friendly, with more than enough features to facilitate your audio performances and compositions. There are plenty of clips and effects available, for those who wish to add a new dimension to their creations. But given the diversity of music making applications and instruments available on the market, would Live benefit from incorporating more features aimed at making it easier for musicians to create rather than simply manipulate their music?

Ive come across many situations where I’ve wanted to lock a channel in a particular preset or in a particular gain setting, whilst continuing to play my music. Live doesnt offer this feature yet, and in my experience this is probably its most annoying shortcoming. Users who have come across the same issue are probably not going to be very happy when they find its not possible to change the settings in the current channel.

While the majority of Max for Live users are musicians ( and I certainly consider myself to be one ), there are many people who are effectively creative coders. Some are considering creating plug-ins for Max, some are making new Max devices, and there are even applications being released for mobile devices. Live could take this one step further in the sense that it doesnt force users to interact with their creative software through their own media player, but rather through its own application, and allow them to do this from any platform. Would this be a perverse and dangerous user experience, where artists have to start thinking before they start working?

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The front panel usability is becoming a more noticeable strength in Live, starting with the dark new UI in Live 10. The high-pass filter is absent in the outgoing Ableton version, and in its place, there is now a dial that can be used to control the sound of the master fader, the master monitor, and the master output. While this functionality isnt exactly a new one in hardware, how it is placed is.

There are updates to the Push MIDI learning tools. Ableton users that have imported MIDI files from past versions can now take advantage of the updated functionality in Push’s learning modes. If youre not familiar with them, you can tap the Ctrl /Shift key when selecting a patch to see the original name as a descriptor for that patch. This is helpful if your library is larger than your hard drive or when youre just looking for a patch to learn.

This update includes a complete revision of the Push interface for Live. In addition to the new color screen, which can be used to control instruments as well as live clips, changes to the Touch, Panel, Push and Sampler enhancements. By simply placing their finger on the screen, users can now change parameters such as volume, pan, and speed. It also now supports gestures so that users can use the back of their finger to control volume and pitch bend.

The redesigned user interface in Live 9.4 is a big step forward for push controllers and other USB input devices. Best of all, Live 9.4 is a free update, making it easy to get your hands on. Weve reviewed plenty of devices in the past, and the ones weve reviewed have been very well received.

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The Remote Control feature allows you to use any MIDI device, such as a MIDI keyboard or drum machine, to control your Live set. You can choose any device as a controller, and in Live 11 you can assign it not only MIDI channels, but also tempo and pitch, so that you can playor trigger a live device at a specific speed or pitch and not have to do any complicated channel rotation.

Since the original Live 7, instead of applying effects to your audio, you have to cut and paste MIDI notes or arpeggiation patterns. This is bad news for effects that need to be executed at specific stages, such as acontrol loop or a per-bar E-F-G chord progression. Not only is cut and pasting hard to control, but it’s much harder to drag a track from a midi channel to the AudioTrack. (InLive 8, the MIDI Track feature was redesigned to workthis way.) You can automate this by cutting the tracks to audio clips, but that means playingwith pieces of MIDI at a time, which, for me, is inefficient.

Even if you’re not the kind of person who likes a cluttered interface, Live is carefully organized, with foldouts and sidebars that serve to enhance your workflow. The main goal is to enhance your creative control with countless ways to manipulate audio and MIDI data with a very simple program. In addition to the pad and keyboard controls, you have virtual instruments; the effects, instruments, and samples with downloadable presets that you can use as a drum set; and audio loops that you can warp. It’s a well-rounded package that makes doing any task a piece of cake.

In short, if you’re looking for a creative DAW that provides all the tools needed to satisfy the most demanding composer, then Live is your platform of choice. It’s easy to learn, with up-to-date support, and is designed to be intuitive without giving up the power. I couldn’t put this into more succinct terms than to say that Live is exactly what composers need these days.

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What’s new in Ableton Live

Shortest keystroke: the new method of accessing any of Live’s 2,716 settings, viewable within a ‘global’ view of all your settings, is all the rage this week.
Show Notes: perhaps the #1 must have for musicians, the Show Notes essentially takes screen captures and offline tutorials and turns them into a kind of manual.
Channel Pan: you can now pan up to 8 channels at once, up from 4, giving you a lot of subtle control without having to drag the map.
New Interface: a load of re-jigging of the UI but a load of new features too, including the option to show hidden channels which are otherwise invisible.
Show Notes: new offline tutorials.
Audio Unit: a real treat, Apple is currently playing just how close to the bottom of the range they can get on this one, and the fact they have a full blown VST version is just about the icing on the cake. Apple is also updating the same framework for Mac OS X 10.7 Lion.

Ableton Live Features

Headless Mode, which means that live heads are no longer required to set the tempo when using Live. My own preference is for this mode, it feels like less cable spaghetti to deal with when using a setup with more than one device. If you are using a MIDI input on the mixer or in a piece of hardware, a caveat here is that Ableton Live should be run headless in this mode. Otherwise, this mode is like all the other modes of operation.