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Like many power users, I’d been trying to ignore Avid as their pricing structure and software bloat grew more and more overwhelming. Avid has never been a user-friendly pro tool even in the best days, and this new round of not-so-user-friendly changes made the frustration just that much more palpable. The day-to-day price of Pro Tools has been rising by leaps and bounds, at a pace that’s the digital equivalent of tossing money in a black hole. A free, robust, and affordable alternative like Propellerhead’s AudioTrack or AudioNucleus’s Proteus is a hard sell when you’re paying $1,000 for your new studio.

For the past decade, Pro Tools has been the most robust and feature-rich software available for composing and mixing music. It’s not simple music-making software, especially in the current upgrade cycle; it’s overkill for 90 percent of what musicians and engineers do.

And the good news is that many of Avid’s utility plug-ins are free . Reasonably priced studio and recording software is hard to find in 2018. Avid’s products are of unquestionable value, but there are dozens of other products that may do the same or better for less money. They may not bring all the features, but overall the value proposition is hard to beat. Avid’s plug-in engine is well-suited to music-making, which is what I use it for. Avid’s Pro Tools is the perfect tool for music-making, especially when you’re tackling larger projects or work that requires a lot of connectivity to other gear.

Along with all the classic Pro Tools features, the software has been extended to include some new ones, such as Text To Speech (TTS) for the automatic reading of text in a user’s DAW. Both Pro Tools editors and native sessions are supported, and it works very well.

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Pro Tools 11 delivers four times faster performance for searching over a million audio and video files. Hit the ground running with your workflow, and dive into your DAW with the fastest workflow engine yet. Take your audio creation to the next level with an easy-to-use workflow editor that lets you build your own automatic edits right from the timeline. Easily remix audio and add enhancements to videos in Media Composer. And, save time with refined zoom tools and mouse-wheel for simple and fast navigation of any timeline.

Create 3D with ease in Avid Pro Tools. And, share your projects in 360 degrees with new support for the VR10 plug-in. Remix audio and video in Media Composer 11, and create unlimited compositions with support for over 16 audio and video formats. Get more out of your multi-camera shoots in 3D by using the latest support for both the LUT Creator and LUT Animator plug-ins from Blackmagic Design. And, get a faster workflow with new video-based editing technologies that streamline your editing process with powerful features such as Smart Edit or Final Cut

New method for measuring the scope of your sessions New context-sensitive fast learners can track multiple sessions at the same time Intuitive navigation with quick tag and search methods create a simple, organized approach to organizing sessions Quickly assign sessions in the core Quickly make changes to your session-tracking sessions Streamline your workflow with the new session-based project New tag search window in the Project Browser New context-sensitive view of files and sessions New session task pane track files in the Project Browser Session tag and filter tools new session tag To show the session track layout dialog, you double-click a session name in the Project Browser. This allows you to view the session layout of your session quickly and easily without the need to track the project to view the session layout New session view in the UI New Session Dialog New color and UI toggles New session view in the UI Scale and position DAW files in the Project Browser. The default view in the Project Browser shows your current project. Change to a project-based view (i.e. Project Browser) to select and position the entire DAW filegroup in the UI. Use your mouse wheel to zoom in/out of the Project Browser to view your DAW filegroups at a larger or smaller scale. Launch in the UI It launches to the UI without going first to a Session view with a session name. This enables you to quickly view the session, graphics, and any active edit sessions with just one click new waveslider To rapidly and efficiently navigate through time longer sessions, the new Waveslider provides exact values to quickly bring up waveforms for up to 1,000 steps. Additionally, the Waveslider searches though waveforms to find specific material that you may be looking for. It can now reduce lag up to 60 times faster. New Discoverer Enhancements New Discoverer values include: More filters faster searches, new layout, more items, more surface area included, more surface area remembered, and more items listed A more consistent user interface experience that follows good UI design best practices: Navigation between views using toolbars buttons, tabs, or dialogs that are consistent with other elements. Context-sensitive display of common tasks that are used in multiple scenarios, and are located in a central area where they are easy to find. Keys to navigate Quickly scan and find the items you are looking for or jump directly to an item by typing a letter. Tracking item types such as clips, sessions, clips within sessions, events, layouts, filters, etc. Templates Many of the templates are context-sensitive and some of the newer templates introduce an element of exploration. Improved reliability for both the user interface and the Discoverer. This means that you are more likely to get the results you expect when running Discoverer.

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What is Avid Pro Tools good for?

Pro Tools’ interface is as intuitive as it gets, and it’s simply the best out there, period. For example, you can record to any track in the Project window with drag & drop, you can track audio from a mouse or keyboard over any part of the timeline, and many plug-ins can generate MIDI from audio or input using an inexpensive MIDI USB interface. If you plan to learn Avid, this is the number one program to get!

That said, there is still a learning curve in Pro Tools as well. For example, the arpeggiator in Pro Tools is a snarky windowed sequencer that tracks the patterns you play and makes them stick. If you want to record your own song, you’ll need to open up the Arp feature. Other things may feel like they are over-designed, such as the Audio clip editor that will easily discourage you and the notorious lack of real-time MIDI support. Apart from that, the workflow is simply easy to use, and everything is intuitively laid out.

Avid Pro Tools Full Version isn’t going to be the best choice for advanced users, but for those who are just dipping a toe in the water or starting out, it’s a terrific all-purpose program that’s virtually painless to use and offers more than enough power for any recording task. And when it’s time to move on, there are options on the Mac side and then the PC side for most budgets.

Avid Pro Tools Artist is a good starting point. It works well for low-latency multitrack tracking, given the emphasis on ease of use. They’ve also upped the audio track count to 2,048, up to 256 simultaneous record inputs, added a new 320-GB hard drive, and are currently updating the program for Mac OS X 10.8 (Mountain Lion).

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